Howards End by E.M. Forster (English) Paperback Book

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A chance acquaintance brings together the preposterous bourgeois Wilcox family and the clever, cultured and idealistic Schlegel sisters. As clear-eyed Margaret develops a friendship with Mrs Wilcox, the impetuous Helen brings into their midst a young bank clerk named Leonard Bast, who lives at the edge of poverty and ruin.

FORMATPaperback LANGUAGEEnglish CONDITIONBrand New Publisher Description

E. M. Forster's meticulously observed drama of class warfare exploringthe conflict inherent within English society-the inspiration for the award-winning two-part play The Inheritance,now on Broadway"Only connect..." A chance acquaintance brings together the preposterous bourgeois Wilcox family and the clever, cultured and idealistic Schlegel sisters. As clear-eyed Margaret develops a friendship with Mrs Wilcox, the impetuous Helen brings into their midst a young bank clerk named Leonard Bast, who lives at the edge of poverty and ruin. When Mrs Wilcox dies, her family discovers that she wants to leave her country home, Howards End, to Margaret. Thus as Forster sets in motion a chain of events that will entangle three different families, he brilliantly portrays their aspirations to personal and social harmony. David Lodge's introduction provides an absorbing and eloquent overture to the 1910 novel that established Forster's reputation as an important writer, and that he himself later referred to as "my best novel." This edition also contains a note on the text, suggestions for further reading, and explanatory notes.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust theseries to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-datetranslations by award-winning translators.

Author Biography

Edward Morgan Forster was born in London in 1879. He wrote six novels, four of which appeared before the First World War, Where Angels Fear to Tread (1905), The Longest Journey (1907), A Room with a View (1908), and Howard's End (1910). An interval of fourteen years elapsed before he published A Passage to India. It won both the Prix Femina Vie Heureuse and the James Tait Black Memorial Prize. Maurice, his novel on a homosexual theme, finished in 1914, was published posthumously in 1971. He also published two volumes of short stories; two collections of essays; a critical work, Aspects of the Novel; The Hill of Devi, a fascinating record of two visits Forster made to the Indian State of Dewas Senior; two biographies; two books about Alexandria (where he worked for the Red Cross in the First World War); and, with Eric Crozier, the libretto for Britten's opera Billy Budd. He died in June 1970.

Review

With a new Introduction by James IvoryCommentary by Virginia Woolf, Lionel Trilling, Malcolm Bradbury, and Joseph Epstein"Howards End is a classic English novel . . . superb and wholly cherishable . . . one that admirers have no trouble reading over and over again," said Alfred Kazin.First published in 1910, Howards End is the novel that earned E. M. Forster recognition as a major writer. At its heart lie two families—the wealthy and business-minded Wilcoxes and the cultured and idealistic Schlegels. When the beautiful and independent Helen Schlegel begins an impetuous affair with the ardent Paul Wilcox, a series of events is sparked—some very funny, some very tragic—that results in a dispute over who will inherit Howards End, the Wilcoxes' charming country home. As much about the clash between individual wills as the clash between the sexes and the classes, Howards End is a novel whose central tenet, "Only connect," remains a powerful prescription for modern life."Howards End is undoubtedly Forster's masterpiece; it develops to their full the themes and attitudes of [his] early books and throws back upon them a new and enhancing light," wrote the critic Lionel Trilling.

Review Quote

With a new Introduction by James Ivory Commentary by Virginia Woolf, Lionel Trilling, Malcolm Bradbury, and Joseph Epstein " Howards End is a classic English novel . . . superb and wholly cherishable . . . one that admirers have no trouble reading over and over again," said Alfred Kazin. First published in 1910, Howards End is the novel that earned E. M. Forster recognition as a major writer. At its heart lie two families-the wealthy and business-minded Wilcoxes and the cultured and idealistic Schlegels. When the beautiful and independent Helen Schlegel begins an impetuous affair with the ardent Paul Wilcox, a series of events is sparked-some very funny, some very tragic-that results in a dispute over who will inherit Howards End, the Wilcoxes' charming country home. As much about the clash between individual wills as the clash between the sexes and the classes, Howards End is a novel whose central tenet, "Only connect," remains a powerful prescription for modern life. " Howards End is undoubtedly Forster's masterpiece; it develops to their full the themes and attitudes of [his] early books and throws back upon them a new and enhancing light," wrote the critic Lionel Trilling.

Discussion Question for Reading Group Guide

INTRODUCTION "The more people one knows, the easier it is to replace them. It is one of the curses of London. I quite expect to end my life caring most for a place." The place that E. M. Forster loved so deeply that he made it the centerpiece of one of his best-loved novels was a country house just north of London called Rooksnest. From the moment he moved in with his mother at age four, "I took it to my heart and hoped . . . that I would live and die there." Much more than just a house, for Forster, Rooksnest came to represent English country values--a connection to place, a respect for individuality, and a commitment to the contemplative life--that were increasingly threatened by the urbanization and industrialization sweeping Edwardian England. Forster''s childhood idyll was to last only ten years, for at fourteen he moved with his mother to the newly fashionable bourgeois suburb of Tonbridge Wells, home to many members of the growing business class that would become a central concern of his fiction. In Tonbridge Wells, Forster met families who, like the Wilcoxes of Howards End , were energetic capitalists focused on motorcars and moneymaking. And if Tonbridge Wells gave rise to the Wilcoxes, Cambridge was the likely birthplace of the other central family of Howards End , the Schlegels. It was as a university student at King''s College that Forster was first inspired by the liberal humanism of philosopher George Moore, who advocated the contemplation of beauty and the cultivation of personal relations as a spiritual antidote to the rootless, mechanistic ethos of his age. Forster, together with the young men who would later form the Bloomsbury group of writers (Lytton Strachey, John Maynard Keynes, and Leonard Woolf, among others), embraced this challenge to traditional religious morality and to the growing commercial spirit of the time. Forster spent some of his happiest days in this company, a lifestyle mirrored in the Schlegels'' passion for art, friendship, and the life of the mind. Yet, like the Schlegel sisters, he was not completely satisfied by life among the London literati. More importantly, he was starting to understand the practicality of conformist values, of "social conventions, economic trend, efficiency," and he grew acutely aware of the limitations of liberal ideals. The Bloomsbury group''s sitting-room debates and fashionable walking-parties were for Forster too narrow, too disdainful of the economic and material conditions that made their way of life possible. Against this backdrop, the character of Margaret emerged--her curious attraction to Henry, her appreciation of money, her pragmatism. Unlike her sister Helen, whose brief entrancement with the dynamic Wilcox men quickly evolves into contempt for them, Margaret, like the man who created her, envisions a marriage of soul and body, country and city, passion and prose, culture and commerce. While Forster created the Wilcox and Schlegel families and the England they inhabit from his own experiences, the interior lives of Leonard Bast and Jacky were drawn purely from imagination. Leonard, a poor insurance clerk only a few steps removed from his rural, working-class roots, hopes to "come to Culture suddenly, much as the Revivalist hopes to come to Jesus." To Forster, who believed that "the character of the English is essentially middle-class," it was people like Leonard and the Wilcoxes--aspiring to wealth, political power, and culture--who would eventually "inherit" England, not the dying aristocratic class of the Schlegels nor the working classes. Forster used Leonard''s connection with the Schlegels as the social conscience of the book. As critic Wilfred Stone wrote, "Just as [Leonard] stands on the edge of the social

Details ISBN014118213X Author E.M. Forster Short Title HOWARDS END Pages 336 Series Penguin Classics Language English ISBN-10 014118213X ISBN-13 9780141182131 Media Book Year 2000 Place of Publication London Country of Publication United Kingdom Birth 1879 Death 1970 Alternative 9781605147284 Tag pengblackclassics Format Paperback Residence ENK Imprint Penguin Classics DOI 10.1604/9780141182131 UK Release Date 2000-04-27 Publisher Penguin Books Ltd Publication Date 2000-04-27 DEWEY 823.912 Audience General NZ Release Date 2006-11-23 AU Release Date 2006-11-23 We've got this

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