About the BookAdam Bede, the first novel written by George Eliot (the pen name of Mary Ann Evans), was published in 1859. It was published pseudonymously, even though Evans was a well-published and highly respected scholar of her time. The novel has remained in print ever since and is used in university studies of 19th-century English literature. Carpenter Adam Bede is in love with the beautiful Hetty Sorrel, but unknown to him, he has a rival, in the local squire's son Arthur Donnithorne. Hetty is soon attracted by Arthur's seductive charm and they begin to meet in secret. The relationship is to have tragic consequences that reach far beyond the couple themselves, touching not just Adam Bede, but many others, not least, pious Methodist Preacher Dinah Morris. A tale of seduction, betrayal, love and deception, the plot of Adam Bede has the quality of an English folk song. Within the setting of Hayslope, a small, rural community, Eliot brilliantly creates a sense of earthy reality, making the landscape itself as vital a presence in the novel as that of her characters themselves.About the AuthorMary Ann (Marian) Evans was born in 1819 in Warwickshire. Under the name of George Eliot, she wrote Scenes of Clerical Life, Adam Bede, The Mill on the Floss, Silas Marner, Romola, Felix Holt, Middlemarch and Daniel Deronda, as well as numerous essays, articles and reviews. She died in 1880, only a few months after marrying J. W. Cross, an old friend and admirer, who became her first biographer. Margaret Reynolds works on literature from the C18th to the present day, especially poetry, and especially in the Victorian period. Her The Sappho History (2003) traced the transmission of the works and images of the ancient Greek poet as they appear in the works of Mary Robinson, S.T. Coleridge, Alfred Tennyson, Baudelaire, Swinburne, H.D. and Virginia Woolf. Margaret Reynolds is the presenter of BBC Radio 4's 'Adventures in Poetry', now in its 11th series. She has a weekly column on classic books in the Saturday Times.Excerpt. (c) Reprinted by permission. All rights reserved.CHAPTER IThe WorkshopWith a single drop of ink for a mirror, the Egyptian sorcerer undertakes to reveal to any chance comer far-reaching visions of the past. This is what I undertake to do for you, reader. With this drop of ink at the end of my pen I will show you the roomy workshop of Mr Jonathan Burge, carpenter and builder in the village of Hayslope, as it appeared on the eighteenth of June, in the year of our Lord 1799.The afternoon sun was warm on the five workmen there, busy upon doors and window-frames and wainscoting. A scent of pine-wood from a tent-like pile of planks outside the open door mingled itself with the scent of the elder-bushes which were spreading their summer snow close to the open window opposite the slanting sunbeams shone through the transparent shavings that flew before the steady plane, and lit up the fine grain of the oak panelling which stood propped against the wall. On a heap of those soft shavings a rough grey shepherd-dog had made himself a pleasant bed, and was lying with his nose between his fore-paws, occasionally wrinkling his brows to cast a glance at the tallest of the five workmen, who was carving a shield in the centre of a wooden mantelpiece. It was to this workman that the strong barytone belonged which was heard above the sound of plane and hammer singing- "Awake, my soul, and with the sun Thy daily stage of duty run Shake off dull sloth. . . . ."Political Fiction (Books)Comedic Dramas & PlaysVictorian Literary Criticism
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