A Horse Walks Into a Bar: A novel by David Grossman (English) Paperback Book

The Nile on eBay   A Horse Walks Into a Bar by David Grossman, Jessica Cohen

WINNER OF THE MAN BOOKER INTERNATIONAL PRIZE • From the bestselling author of To the End of the Land comes a searing story of loss and survival.In a dive bar in a small Israeli city, Dov Greenstein, a comedian a bit past his prime, takes the stage for his final show. Over the course of a single evening, Dov's patter becomes a kind of memoir, taking us back into the terrors of his childhood. And in the dance between comic and audience, a deeper story begins to take shape as Dov confronts the decision that has shaped the course of his life—a story that will alter the lives of several of those in attendance. A Horse Walks Into a Bar is a poignant exploration of how people confront life's capricious battering.

FORMATPaperback LANGUAGEEnglish CONDITIONBrand New Author Biography

David Grossman was born in Jerusalem. He is the author of numerous works of fiction, nonfiction, and children's literature. His writing has appeared in The New Yorker and has been translated into more than forty languages. He is the recipient of many prizes, including the French Chevalier de l'Ordre des Arts et des Lettres, the Buxtehuder Bulle in Germany, Rome's Premio per la Pace e l'Azione Umanitaria, the Premio Ischia international award for journalism, Israel's Emet Prize, and the Albatross Prize given by the Günter Grass Foundation. Jessica Cohen was born in England, raised in Israel, and now lives in the United States. She has translated contemporary Israeli fiction, nonfiction, and other creative works, including David Grossman's To the End of the Land and Falling Out of Time.

Review

WINNER OF THE 2017 MAN BOOKER INTERNATIONAL PRIZE A New York Times and Washington Post Notable Book"Astounding. . . . [A] magnificently comic and sucker-punch-tragic excursion into brilliance." —Gary Shteyngart, The New York Times Book Review "Unsettling and mesmerizing. . . . As beautiful as it is unusual, and it's nearly impossible to put down." —NPR"Bewitching. . . . Brilliant, blistering." —The Washington Post"[Grossman] has transcended genre; or rather, he has descended deep into the vaults beneath. . . . This isn't just a book about Israel: it's about people and societies horribly malfunctioning." —The Guardian"As cunning and compelling as the stand-up guy at its center. In this funnyman's sad, grotesque performance, Grossman reaffirms his power to entertain and unnerve." —The Boston Globe"Arresting. . . . Grossman seems to be channeling Philip Roth, circa Portnoy's Complaint, with a colloquial voice that badgers, bullies, berates and beseeches." —San Francisco Chronicle"A short, shocking masterpiece . . . in which absurdity and humour are used to probe the darkest corners of the human condition." —The Sunday Times (London)"[A] pitch-black comedy. . . . It takes an author of Mr Grossman's stature to channel not a failed stand-up but a shockingly effective one, and to give him salty, scabrous gags that—in Jessica Cohen's savoury translation—raise a guilty laugh." —The Economist"Grossman has once more proved himself as one of Israel's finest literary alchemists. . . . An unsettling, cathartic, confessional stream-of-consciousness soliloquy." —Haaretz"[A] raw and fiercely emotional book." —The Spectator"In little more than 200 pages, Grossman brings us to the nerve center of his psyche." —The Jerusalem Post"Few writers hold a more unflinching mirror up to Israeli society than Grossman . . . But [his work] is also suffused with compassion, acutely attuned to the complexity of individual lives and the solutions people find to the challenge of that complexity." —Financial Times"A devastating work. . . . A lamentation and a plea for compassion and empathy. . . . A Horse Walks into a Bar is unlike anything Grossman has yet done." —The Irish Times

Review Quote

"Astounding. . . . [A] magnificently comic and sucker-punch-tragic excursion into brilliance." --Gary Shteyngart, The New York Times Book Review "Unsettling and mesmerizing. . . . As beautiful as it is unusual, and it's nearly impossible to put down." --NPR "Bewitching. . . . Brilliant, blistering." -- The Washington Post "[Grossman] has transcended genre; or rather, he has descended deep into the vaults beneath. . . . This isn't just a book about Israel: it's about people and societies horribly malfunctioning." -- The Guardian "As cunning and compelling as the stand-up guy at its center. In this funnyman's sad, grotesque performance, Grossman reaffirms his power to entertain and unnerve." -- The Boston Globe "Arresting. . . . Grossman seems to be channeling Philip Roth, circa Portnoy's Complaint , with a colloquial voice that badgers, bullies, berates and beseeches." -- San Francisco Chronicle "A short, shocking masterpiece . . . in which absurdity and humour are used to probe the darkest corners of the human condition." -- The Sunday Times (London) "[A] pitch-black comedy. . . . It takes an author of Mr Grossman's stature to channel not a failed stand-up but a shockingly effective one, and to give him salty, scabrous gags that--in Jessica Cohen's savoury translation--raise a guilty laugh." -- The Economist "Grossman has once more proved himself as one of Israel's finest literary alchemists. . . . An unsettling, cathartic, confessional stream-of-consciousness soliloquy." -- Haaretz "[A] raw and fiercely emotional book." -- The Spectator "In little more than 200 pages, Grossman brings us to the nerve center of his psyche." -- The Jerusalem Post "Few writers hold a more unflinching mirror up to Israeli society than Grossman . . . But [his work] is also suffused with compassion, acutely attuned to the complexity of individual lives and the solutions people find to the challenge of that complexity." -- Financial Times "A devastating work. . . . A lamentation and a plea for compassion and empathy. . . . A Horse Walks into a Bar is unlike anything Grossman has yet done." -- The Irish Times

Excerpt from Book

Good evening! good evening! Good evening to the majestic city of Ceasariyaaaaaah!" The stage is empty. The thundering shout echoes from the wings. The audience slowly quiets down and grins expectantly. A short, slight, bespectacled man lurches onto the stage from a side door as if he''d been kicked through it. He takes a few faltering steps, trips, brakes himself on the wood floor with both hands, then sharply juts his rear end straight up. Scattered laughter and applause from the audience. People are still filing into the club, chatting loudly. "Ladies and gentlemen!" announces a tight-lipped man standing at the lighting console. "Put your hands together for Dovaleh G!" The man onstage still crouches like a monkey, his big glasses askew on his nose. He slowly turns to face the room and scans it with a long, unblinking look. "Oh, wait a minute," he grumbles, "this isn''t Caesarea, is it?" Sounds of laughter. He slowly straightens up and dusts his hands off. "Looks like my agent fucked me again." A few audience members call out, and he stares at them in horror: "Say what? Come again? You, table seven, yeah, with the new lips--they look great, by the way." The woman giggles and covers her mouth with one hand. The performer stands at the edge of the stage, swaying back and forth slightly. "Get serious now, honey, did you really say Netanya ?" His eyes widen, almost filling the lenses of his glasses: "Let me get this straight. Are you going to sit there and declare, so help you God, that I am actually for real in Netanya at this very minute, and I''m not even wearing a flak jacket?" He crosses his hands over his crotch in terror. The crowd roars with joy. A few people whistle. Some more couples amble in, followed by a rowdy group of young men who look like soldiers on furlough. The small club fills up. Acquaintances wave to one another. Three waitresses in short shorts and neon- -purple tank tops emerge from the kitchen and scatter among the tables. "Listen, Lips"--he smiles at the woman at table seven--"we''re not done yet. Let''s talk about it. I mean, you look like a pretty serious young lady, I gotta say, and you certainly have an original fashion sense, if I''m correctly reading the fascinating hairdo that must have been done by--let me guess: the designer who gave us the Temple Mount mosque and the nuclear reactor in Dimona?" Laughter in the audience. "And if I''m not mistaken, I detect the faint whiff of a shitload of money emanating from your direction. Am I right or am I right? Heh? Eau de one percent? No? Not at all? I''m asking because I also note a magnificent dose of Botox, not to mention an out-of-control breast reduction. If you ask me, that surgeon should have his hands cut off." The woman crosses her arms over her body, hides her face, and lets out shrieks of delight through her fingers. As he talks, the man strides quickly from one side of the stage to the other, rubbing his hands together and scanning the crowd. He wears platform cowboy boots, and as he moves the heels make a dry tapping sound. "What I''m trying to understand, honey," he yells without looking at her, "is how an intelligent lady like yourself doesn''t realize that this is the kind of thing you have to tell someone carefully, judiciously, considerately. You don''t just slam someone with ''You''re in Netanya.'' Bam! What''s the matter with you? You gotta give a guy some preparation, especially when he''s so skinny." He lifts up his faded T-shirt and a gasp passes through the room. "Ain''t it so?" He turns his bare chest to the people sitting on either side of the stage and flashes a big grin. "See this? Skin and bones. Mostly cartilage. I swear to God, if I was a horse I''d be glue by now, you know what I''m saying?" Embarrassed giggles and repulsed exhalations in response. "All I''m saying, sister," he turns back to the woman, "is next time, when you give someone this kind of news, you need to do it carefully. Anesthetize him first. Numb him up, for God''s sake. You gently numb his earlobe, like this: Congratulations, Dovaleh, O handsomest of men, you''ve won! You''ve been chosen to take part in a special experiment on the coastal plain, nothing too long, ninety minutes, at most two hours, which has been determined to be the maximum permissible time for nonhazardous exposure to this location for the average person. " The audience laughs and the man is surprised. "Why are you dumbasses laughing? That joke was about you!" They laugh even harder. "Wait a minute, just so we''re clear, did they already tell you you''re just the opening audience, before we bring in the real one?" Whistles, snorts of laughter, a few boos from some parts of the room, a couple of fists thumping on tables, but most of the crowd is amused. A tall, slender couple comes in, both with soft golden locks falling over their foreheads. They''re a young boy and girl, or maybe two boys, clad in shiny black, with motorcycle helmets under their arms. The man onstage glances at them and a little wrinkle arches above his eye. He moves constantly. Every few minutes he launches a quick punch into the air, then dodges his invisible opponent, deceptive and swift like a skilled boxer. The audience loves it. He tents his hand over his eyes and scans the darkened room. I''m the one he''s looking for. "Between you and me, pals, I should be putting my hand to my heart now and assuring you that I''m crazy--I mean crazy !--about Netanya, right?" "Right!" a few young audience members shout. "I should be explaining how I''m just so into being here with you on a Thursday evening in your charming industrial zone, and not just that but in a basement, practically touching the magnificent radon deposits while I pull a string of jokes out of my ass for your listening pleasure--correct?" "Correct!" the audience yells back. "Incorrect," the man asserts and rubs his hands together gleefully. "It''s all a crock, except the ass bit, because I gotta be honest with you, I can''t stand your city. I get creeped out by this Netanya dump. Every other person on the street looks like he''s in the witness protection program, and every other other person has the first person rolled up in a black plastic bag inside the trunk of his car. And believe me, if I didn''t have to pay alimony to three lovely women and child support for one-two-three-four-five kids--count ''em: five --I swear to God, standing before you tonight is the first man in history to get postpartum depression. Five times! Actually four, ''cause two of them were twins. Actually five, if you count the bout of depression after my birth. But that whole mess ended up being a good thing for you, my darling Netanya, because if not for my milk-teethed little vampires, there is no way-- none! --I''d be here tonight for the measly seven hundred fifty shekels Yoav pays me with no expenses and no gratitude. So let''s get going, my friends, my dearly beloveds, let''s party tonight! Raise the roof! Put your hands together for Queen Netanya! " The audience applauds, slightly befuddled by the reversal, but swept up nonetheless by the hearty roar and the sweet smile that lights up his face and completely transforms it. Gone is the tormented, mocking bitterness, replaced as if by a camera flash with the visage of a soft-spoken, refined intellectual, a man who couldn''t possibly have anything to do with the utterances that just spewed out of his mouth. He clearly enjoys the confusion he sows. He turns around slowly on the axis of one foot like a compass, and when he completes the rotation his face is twisted and bitter again: "I have an exciting announcement, Netanya. You won''t believe your luck, but today, August twentieth, happens to be my birthday. Thank you, thank you, you''re too kind." He bows modestly. "Yes, that''s right, fifty-seven years ago today the world became a slightly worse place to live in. Thank you, sweethearts." He prances across the stage and cools his face with an imaginary fan. "That''s nice of you, really, you shouldn''t have, it''s too much, drop the checks in the box on your way out, cash you can stick to my chest after the show, and if you brought sex coupons you can come up right now." Some people raise their glasses to him. A few couples enter noisily--the men clap as they walk--and sit down at a group of tables near the bar. They wave hello at him, and the women call out his name. He squints and waves back in a vague, nearsighted way. Over and over again he turns to look at my table in the back of the room. From the minute he got onstage he''s been seeking my eyes. But I can''t look straight at him. I dislike the air in here. I dislike the air he breathes. "Any of you over fifty-seven?" A few hands go up. He surveys them and nods in awe. "I''m impressed, Netanya! That''s some bitchin'' life span you got yourselves here! I mean, it''s no easy feat to reach that age in a place like this, is it? Yoav, put the spotlight on the crowd so we can see. Lady, I said fifty-seven, not seventy-five ... Wait up, guys, one at a time, there''s enough Dovaleh to go around. Yes, table four, what did you say? You''re turning fifty-seven, too? Fifty- eight ? Amazing! Deep! Ahead of your time! And when is that happening, did you say? Tomorrow? Happy birthday! What''s your name, sir? What''s that? Come again? Yor-- Yorai ? Are you kidding me? Shit, man, your parents really shafted you, eh?" The man named Yorai laughs heartily. His plump wife leans on him, caressing his bald head. "The lady next to you, dude, the one marking her ter

Details ISBN1101973498 Author Jessica Cohen Pages 208 Series Vintage International Language English Year 2018 Translator Jessica Cohen ISBN-10 1101973498 ISBN-13 9781101973493 Format Paperback Publication Date 2018-01-16 Short Title A Horse Walks into a Bar Country of Publication United States AU Release Date 2018-01-16 NZ Release Date 2018-01-16 US Release Date 2018-01-16 UK Release Date 2018-01-16 Place of Publication New York Publisher Random House USA Inc Imprint Vintage Books Subtitle A novel DEWEY FIC Audience General We've got this

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