A Brief History of the Flood by Jean Harfenist (English) Paperback Book

The Nile on eBay   A Brief History of the Flood by Jean Harfenist

Lillian Anderson is a strong-minded, backwoods-Minnesota girl, well-versed in the basics of survival. She can find air to breathe under a capsized boat, drive in a blizzard, or capture a wild duck. As part of a large struggling family, she tiptoes around her explosive father whose best days always come right after he's poached something and her neurotically optimistic mother whose bursts of vigor bring added chaos. Lillian barrels through adolescence with no illusions about her future, honing her clerical skills while working the nightshift as a salad girl in the airport kitchen. Just as she's on her feet and moving out, their house is literally sinking into the marsh. Stunningly honest, this story explores the fierce love that binds family together.

FORMATPaperback LANGUAGEEnglish CONDITIONBrand New Publisher Description

Lillian Anderson is a strong-minded, backwoods-Minnesota girl, well-versed in the basics of survival. She can find air to breathe under a capsized boat, drive in a blizzard, or capture a wild duck. As part of a large struggling family, she tiptoes around her explosive father whose best days always come right after he's poached something and her neurotically optimistic mother whose bursts of vigor bring added chaos. Lillian barrels through adolescence with no illusions about her future, honing her clerical skills while working the nightshift as a salad girl in the airport kitchen. Just as she's on her feet and moving out, their house is literally sinking into the marsh. Stunningly honest, this story explores the fierce love that binds family together.

Author Biography

This is Jean Harfenist's first book. It was a Minneapolis Star Tribune Best Book of the Year. Stories excerpted from it won the Prism International Fiction Prize and received special mention for The Pushcart Prize. She was named a finalist for the Katherine Anne Porter Nimrod/Hartman Award, the Kirkwood Literary Prize, the Missouri Review Editor's Prize, and the Indiana Review Fiction Prize. Her short stories have appeared in The Missouri Review, The Barcelona Review, Quarterly West, Sycamore Review, Crazyhorse, Sonora Review, Wisconsin Review, The Sun, and the Cream City Review. She is a native of Minnesota, a graduate of New York University, and now lives in Santa Barbara with her husband.

Review

"Wonderfully wry-melancholy . . . An auspicious and stirring debut." —Michiko Kakutani, The New York Times"A granite-tough perspective on a wild and sometimes dangerous childhood. . . . One thinks of the flinty poetry of Mary Karr's The Liars' Club, say, or the cocksure ease of Alexandra Fuller's Don't Let's Go to the Dogs Tonight. Hilariously wrought . . . without a whit of melodrama . . . equal parts humor and steel."—Gail Caldwell, Boston Globe "Rigorously beautiful without an ounce of dangerous pretension, a book I'll put on my book club's list and keep by the bed for dark nights when I need a language booster shot."—Kaye Gibbons"We root for Lillian because she's an utterly convincing character, fiercely loyal and loving, [with] that rarest of gifts, a sane heart."—Emily Carter, Minneapolis Star Tribune"Reading Jean Harfenist's [writing] is like finding a hot slot machine in a casino. One winner after another? In wild defiance of the odds? Who cares. Stay seated."—Richard Russo"[A] luminous [story] about growing up on a Minnesota lake. Harfenist has spun gold out of the daily lives of the Andersons and their four children in Acorn Lake." –Milwaukee Journal Sentinel"Few authors [have] the grace and generosity of Harfenist, whose writing is almost dreamlike in its lyricism." –Entertainment Weekly"Charming. . . . Jean Harfenist shows a sure touch with characterization . . . deft and subtle. . . . [Harfenist's] narration is consistently absorbing and enlivened by flashes of description that are unexpected yet completely in character." –Washington Post"Harfenist's integrated themes and evocative prose style elevate A Brief History of the Flood . . . giving it the satisfying, rounded feel of a good novel." –San Francisco Chronicle"Funny and sad and somehow good natured, [A Brief History of the Flood] brings us in to the painful intimacies and troubled hearts of the Anderson family. . . . Jean Harfenist explores the interface between love and dysfunction through young Lillian whose voice will stick with you long after you turn the last page." –Santa Barbara News-Press"Harfenist has endowed her narrator with an eminent toughness and scathing wit that make being with Lillian the baddest kind of fun." –Chicago Tribune"Tender, brutal, funny. . . . I doubt there is a person born who could not 'relate to' this book." –Mark Costello, author of Big If"Wryly funny, unflustered and watchful . . . an impressive debut." –The Arizona Republic"Jean Harfenist is an excellent writer. . . . [A Brief History of the Flood] is so honest that you could almost swear that it's her memoir." –Florida Sun-Sentinel"This writer can't put a word wrong." –Pawling News Chronicle

Review Quote

"Wonderfully wry-melancholy . . . An auspicious and stirring debut." Michiko Kakutani, The New York Times "A granite-tough perspective on a wild and sometimes dangerous childhood. . . . One thinks of the flinty poetry of Mary Karr's The Liars' Club , say, or the cocksure ease of Alexandra Fuller's Don't Let's Go to the Dogs Tonight . Hilariously wrought . . . without a whit of melodrama . . . equal parts humor and steel."Gail Caldwell, Boston Globe "Rigorously beautiful without an ounce of dangerous pretension, a book I'll put on my book club's list and keep by the bed for dark nights when I need a language booster shot."Kaye Gibbons "We root for Lillian because she's an utterly convincing character, fiercely loyal and loving, [with] that rarest of gifts, a sane heart."Emily Carter, Minneapolis Star Tribune "Reading Jean Harfenist's [writing] is like finding a hot slot machine in a casino. One winner after another? In wild defiance of the odds? Who cares. Stay seated."Richard Russo "[A] luminous [story] about growing up on a Minnesota lake. Harfenist has spun gold out of the daily lives of the Andersons and their four children in Acorn Lake." Milwaukee Journal Sentinel "Few authors [have] the grace and generosity of Harfenist, whose writing is almost dreamlike in its lyricism." Entertainment Weekly "Charming. . . . Jean Harfenist shows a sure touch with characterization . . . deft and subtle. . . . [Harfenist's] narration is consistently absorbing and enlivened by flashes of description that are unexpected yet completely in character." Washington Post "Harfenist's integrated themes and evocative prose style elevate A Brief History of the Flood . . . giving it the satisfying, rounded feel of a good novel." San Francisco Chronicle "Funny and sad and somehow good natured, [ A Brief History of the Flood ] brings us in to the painful intimacies and troubled hearts of the Anderson family. . . . Jean Harfenist explores the interface between love and dysfunction through young Lillian whose voice will stick with you long after you turn the last page." Santa Barbara News-Press "Harfenist has endowed her narrator with an eminent toughness and scathing wit that make being with Lillian the baddest kind of fun." Chicago Tribune "Tender, brutal, funny. . . . I doubt there is a person born who could not 'relate to' this book." Mark Costello, author of Big If "Wryly funny, unflustered and watchful . . . an impressive debut." The Arizona Republic "Jean Harfenist is an excellent writer. . . . [ A Brief History of the Flood ] is so honest that you could almost swear that it's her memoir." Florida Sun-Sentinel "This writer can't put a word wrong." Pawling News Chronicle From the Trade Paperback edition.

Description for Reading Group Guide

"Wonderfully wry-melancholy.... An auspicious and stirring debut." -- The New York Times This Reading Group Guide*--consisting of an introduction, discussion questions, suggestions for further reading, and biography--is designed to enhance your group's discussion of A Brief History of the Flood .

Discussion Question for Reading Group Guide

1. As the book opens, Lillian's mother, Marion, looks around the breakfast table at her husband and children and says, "Now this is how it's supposed to be" [p. 3]. What does she mean? What does the author want the reader to understand from this comment? 2. Marion creates a surprising pontoon-boat float for her family to ride on in the Acorn Lake Fourth of July boat parade. Its theme might be viewed as a baseline for eight-year-old Lillian's ideas about what life is supposed to be like. What events force her to reconsider? If Lillian, as an adult, were to construct a pontoon-boat float symbolizing her own idea of happiness, what theme might she choose? 3. Some families seem to be held together by the glue of secrets. What secrets do the Andersons keep? Why? Would those same secrets be kept in a family today? 4. What is the significance of the girls who work the nightshift making salads for airline flights? How do they add to our understanding of Lillian's life? Of Marion's? Are they merely relics of a time gone by, or are they still relevant today? 5. Lillian says about her best friend, Irene, "Once you reach homecoming queen, there's no place else to go but bad" [p. 159]. What does this statement say about small towns? About opportunities for girls? 6. Little violence takes place in the Anderson household, yet Lillian's father, Jack, has a talent for making the entire family feel as if they're living under a clenched fist. How is this tension created and maintained? What makes this tension tolerable to Lillian? To the reader? 7. Is Lillian a reliable narrator? Does she ever lie to the reader, or to herself? 8. The title comes from a letter Marion writes to the IRS. Why do you think the author chose this title? What might you have called it? 9. Lillian says, "I don't want anybody ever looking at me like the girl who got her ducks shot" [p. 57]. What does this statement reveal about her character? Do any of the other family members share this sentiment? 10. Lillian says of her best friend, Irene, "Nothing you can say will shock her" [p. 107], and she notes that Irene "can sweep a room clean of guilt, doesn't matter who owns it or how they earned it. Usually that's what you want in a friend" [p. 105]. What does Irene offer Lillian that she can't get from other relationships? In what ways does Irene resemble Lillian's mother? How are they different? 11. Why doesn't Marion seem to see Jack's failings as a husband and father? 12. How are Lillian's actions in "Duck Season" a continuation of what took place in "Body Count?" 13. What role does shame play in the Andersons' behavior? What are its sources? Which children are most affected by it? Why? How does it influence their choices? 14. Men generally aren't portrayed here in a positive light. What type of men do you think Randy and Davey will become? Why? 15. At the end of the book how does each member of the Anderson family think "it's supposed to be" [p. 3]?

Excerpt from Book

Floating Mom says, "Now this is how it''s supposed to be." She smiles her sparkly smile and looks around the breakfast table at all of us while the breeze off the lake comes through the screens and the red squirrels chitter in the oak trees. Our living and dining room are one big square with golden knotty-pine paneling and a high-beamed ceiling. Dad built it that way. Then he nailed deer heads and rifle racks to the walls and named it Jack''s Hunting Lodge. But Mom put a sign out by the road with just our name next to a mallard hen: ANDERSON. Randy always sits next to me. I kick his bare foot and nod at Dad who''s jabbing his sliced bananas with his fork, click-click, click-click against the Melmac bowl. Randy raises his sun-bleached eyebrows at me, which means just let it go, but Mitzy jumps to her feet, points her skinny finger in Dad''s face and says, "Mom says it sets her teeth on edge when you do that." I''ll be eight this month, Mitzy''s nearly ten and Randy''s twelve. Mom looks at Dad. She''s biting the tip of her tongue with her tiny white teeth. Dad pokes his bananas faster, like some mad guy knocking on our door, so she goes back to peeling her orange in one long strip using just her thumbnail. Without looking up, she laughs once, and says real loud, "Sure do love all of you." Randy says, "Love you, Mom." Mitzy says, "Love you." I say, "Love you." Dad rattles his coffee cup on the saucer for a refill, not saying a word even though we''re all looking at him. When his upper lip flattens out, we stop looking. Then Mom stands up so fast her chair falls over backward. Her head''s turning this way and that, when our black Lab, Happy, howls from the end of the dock with a sound that lifts the rest of us out of our chairs and sets us on our feet. Randy runs fastest, down the lawn. By the time I reach the end of the dock I have to squeeze between Mom and Dad and shove Mitzy aside to see Randy standing waist-high in the lake, holding Davey facedown over his shoulder like a sack of flour, pounding his back while Davey screams like he''s being born again, but this time he''s nearly two. Randy looks up at Mom and Dad, all huge eyes and big ears, wondering what he''s supposed to do now. When Davey gives a watery gasp it''s as if Mom, Dad and Mitzy wake up and jump into the water. Davey''s so slippery wet they almost drop him trying to flip him right side up. Then Mom has him tight against her chest. "My baby, my baby." Like My Baby is his real name. She''s rubbing her cheek against his even though he threw up and now it''s on both of them. Dad says, "For Chrissake, Marion," as if she''s done something else wrong. "The kid''ll be fine," he says. She looks at him like she can''t remember who he is. Davey is screaming again, shaking his little fists, when I realize I''m the only human being still standing on the dock with the dog. I jump in, hoping no one noticed. I can''t stand babies, but I''m picking weeds off Davey now, shivering, just glad he''s alive. Later that morning the four of us kids and Happy are sitting on the floor of our pontoon boat, passing around a saucepan of chicken noodle soup Randy heated. The boat''s a big red floating version of Davey''s playpen--just a flat wooden deck with side railings, a steering column in the middle, and a little motor on the back. The whole thing sits on two giant aluminum floats called pontoons. We keep it tied to our dock. I let Happy lick soup from my hand, laughing when her tongue tickles my palm. She''s a hero. Davey stands up slowly, looking confused and kind of green from almost drowning. When the wake from a big inboard hits, his arms shoot up like he''s surrendering, Randy snags him, hauls him onto his lap, and rearranges his fat baby legs to make him comfortable while we ride it out together, up and down, waiting for Mom. Mom always says she wanted twelve kids, an even dozen to love her forever, but Dad put his foot down after I was born and it took her six years to sneak in Davey. She likes talking about the eight kids she never had as if they''re off waiting somewhere--maybe in the toolshed back by the road. She points to her stomach and says her tubes are tied in knots so we''re all she''s ever going to have: Randy, Mitzy, me and Davey. And Happy. Mitzy''s sitting with her feet straight out, slapping the backs of her knees against the deck, drinking soup from the pan. She stops and says, "It was your fault, Lillian. You were supposed to watch the baby." "No I wasn''t," I lie. "Randy was." "You''re jealous because you''re not the baby anymore." I eyeball her. I always thought when I watched the baby, Mom was watching both of us, that it was a helping-out job like breaking eggs into the bowl when she bakes brownies. Mitzy slaps my arm with the spoon, leaving a warm wet speck of noodle. I grab the spoon, fling it over her head into the lake. She shouts, "Goddamnit!" and kicks out at me like a thresher. "Mom''s been sleeping too goddamned long." As if it''s up to me. I roll into a ball and cover my head. My sister''s thin as a toothpick, but being mean makes her strong. Randy says, "You don''t have to swear, Mitzy." "But moms shouldn''t sleep so long," she says, covering us with spit the way she does every time she says something with an s in it, like her tongue''s too thick or her lips are too big or her front teeth are too short. Something''s wrong with her. She grabs the pan by its handle and sails it out over the lake, where it lands upright, does a couple of slow spins and sinks like the weeds pulled it under. "I''m waking her up." Ten minutes later Mitzy walks back down the lawn toward us, eating from a tub of chocolate chip ice cream with a new and bigger spoon. Her short hair is already white-blond from the sun, just like Randy''s and Davey''s. In the winter their hair turns yellow. I''m the only redhead. Mitzy says, "Mom''s got the bedroom door locked." She jumps onto the boat, folds herself down onto the deck without missing a bite. "I knocked, but she wouldn''t even answer." Randy asks, "Dad?" "Must have gone into town." . . . By one o''clock we''ve stashed Davey in his playpen on the beach and we''re bobbing around in inner tubes. I''m hanging by my armpits, kicking slow, licking the hot black rubber so I can watch the sun dry off the wet mark, when music explodes from the house. Two seconds later Mom''s on the patio, dancing by herself in her yellow bikini, elbows in the air, fingers snapping. She was the Minnewashka High School Posture Queen. When Dad''s in a good mood, he pats her fanny, tells her she''s a looker and they kiss because they''re in love. We paddle toward her as fast as we can. "See, Mitzy?" I say, kicking my tube onto the grass. "She just needed a nap." "Shut up." Mom leaps onto the pontoon boat, light as Tinkerbell, and swivels to face the three of us on the dock. She''s perfect except for a scar like a crooked seam where her belly button was before she had Davey, and Dad made her get her tubes tied because she was already in the hospital. Her scar never tans. "Kids, your mother has an idea," she says. "Mitzy? Drag that roll of chicken wire down here from the ditch across the road, and get all the white paint you can find. Chop-chop. Lillian? Sweetheart? Art supplies. Dry markers, glue. And my sewing kit. Randy, honey, get a bottle for Davey." We ask what we''re going to make, but she just points in the direction she wants us to go and we run off still wearing our wet swimsuits. All summer we get to hang them on the clothesline at night and put them right back on in the morning. We even wear them into town and run squealing through the freezer section of Gill''s Grocery. Later we''re on the dock, painting, hammering and tying this to that, music so loud it''s like the house is bending its knees, dancing to Louis Prima. Mom says, "Can''t you feel that bass in your chest?" holding her breast like her heart''s in there. Mitzy grabs herself with both hands where her breasts would be if she had any, turns to Randy, arches her back and slides her hands down her sides and over her hips. He gives her a fake smile, showing every tooth. I say, "Gross." We sprint to the shed and the woodpile, finding things, then jump into the lake because it''s eighty-five degrees and we''re sweating like pigs. Having a blast. We race across the sizzling sand--Mom says it only burns if you think about it. She holds up a finger that means stop! We wiggle our fingers in the air and shake our bottoms while we sing the chorus: "So Chattanooga Choo-choo, won''t you choo-choo me home? Whoooo-whoooo." That''s the Andrews Sisters. Mom says, "Drag two stools out onto the boat." We ask, "What''s it going to be?" She shouts, "Screwdriver," holding her hand in the air for it. "Mommmmmm." We eat an entire package of Oreos. Mom shouts, "All the snow goose decoys!" Pepsi-Cola, Frosted Flakes. "You kids won''t know what I''m creating until it''s done." We feed ripple chips to the dog, cookie crumbs to the sunfish that live in the shadow of the dock. I''m wrapping railings in white crepe paper, Randy and Mitzy are cutting cardboard hearts, when Dad appears on the lawn in his baggy black swim trunks, carrying a tall glass of tomato juice. We''re hoping he''s out of his mood. Otherwise he''ll sit in a lawn chair all day shouting, "Marion, why can''t you sit here with your husband for a while?" If Mom''s awake, she''s working on something. Dad walks hard on the wooden dock, barefoot, heel-toe, thud-thud, pig

Details ISBN0375713352 Author Jean Harfenist Short Title BRIEF HIST OF THE FLOOD Pages 224 Language English ISBN-10 0375713352 ISBN-13 9780375713354 Media Book Format Paperback DEWEY FIC Year 2003 Imprint Vintage Books Place of Publication New York Country of Publication United States DOI 10.1604/9780375713354 AU Release Date 2003-07-08 NZ Release Date 2003-07-08 US Release Date 2003-07-08 UK Release Date 2003-07-08 Illustrator Thomas Yeates Birth 1930 Affiliation Research Scholar, Amal Jyothi Centre for Nanoscience and Technology, Kerala, India Position Former senior instructor and associate head, English (deceased) Qualifications M.D. Publisher Random House USA Inc Series Vintage Contemporaries Publication Date 2003-07-08 Audience General We've got this

At The Nile, if you're looking for it, we've got it.With fast shipping, low prices, friendly service and well over a million items - you're bound to find what you want, at a price you'll love!

TheNile_Item_ID:141691434;