#20 SORHUL- Documenti di architettura Armena; ARMENIAN Church Architecture- IRAN

 

 

#20 SORHUL- Documenti di architettura Armena; ARMENIAN Church Architecture- IRAN

Title: "Sorhul"

("Sorhul")

Series: Documents of Armenian Architecture #20 (Documenti di Architettura Armena #20)

Author(s)/Editor(s): Adriano Alpago-Novello

Language(s): Italian, English (Italiano, Inglese)

Publisher: "OEMME Editzioni"

Place: Milan, Italy (Milano, Italia); Year: 1989; Pages: 111

Cover: Paperback; Sizes: 27.5(W)x27.5(H) cm; Copies: Limited

Condition: NEW/ LIKE NEW (light age wear)

ISBN: 88-85822-25-8; Item's Code: XA-795

ABOUT:

Adriano Alpago-Novello writes on the brick church in Sorhul in northwestern Iran (Azerbaijan) , and churches in the Iranian Azerbaijan districts with numerous color photographs and surveyed drawings.

This rare and unique, limited edition book-album by the famous Italian architect, Adriano Alpago-Novello, is about the Armenians churches in present day Iran, including the one at Sorhul. This series of “Documents” presents, for the first time ever, the most outstanding examples of Armenian architecture. The series provides an exhaustive and mostly unpublished set of photographs along with a complete set of surveys and one or more short essays to introduce the historical and critical setting. The texts are by professors of the Academy of Sciences of the Armenia SSR, Italian research workers and scholars from other countries. 

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La presente collana di "Documenti" si propone di presentare per la prima volta la serie dei principali esempi dell'architettura armena fornendo di ciascun monumento una esauriente e per lo piu inedita illustrazione fotati da uno o piu brevi saggi introduttivi di carattere storico-critico e illustrativo.

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ADDITIONAL INFO

Adriano Alpago-Novello (Belluno, July 20, 1932 - Belluno, June 4, 2005) was an Italian architect, art historian and professor.

Adriano Alpago-Novello was born in Belluno by Alberto Alpago Novello, architect and urban planner, and Laura Carlotti.

After classical studies at the Leone XXIII of MIlan, in 1957 he graduated in architecture at the Politecnico di Milano, where since 1958 become an assistant professor of History of Art and History and Styles of architecture. In the same year he is responsible for the organization of the site and of thearchitectural surveys of the excavation of the Roman theater in Caesarea, Israel: finding how little the archeologists working on the site know or care about the culture identifiable as "Byzantine", drives him to schedule a systematic series of fact-finding visits and photographic campaigns on the presence of Byzantine churches in central and eastern Mediterranean. The result is a series of studies that lead to the achievement of the professorship and the assignment to University. Since 1963 is assistant professor at the Politecnico di Milano to the chair of History of Art and History and Styles of architecture, of which in 1971 he became a lecturer; in the same year he is Professor of History of Architecture at the Faculty of Architecture in Turin. Since 1975 he is associate professor at the Faculty of Architecture of Milan, since 1987 Professor of History of Muslim art at the University Ca 'Foscari of Venice.

He participates as a speaker at numerous national and international conferences on architecture and Byzantine studies and is invited to give lectures in many Italian and foreign universities.

He devotes special attention to the study, under the historical and architectural point of view, of cultural areas of Italy not yet known, with a particular interest for mountain and rural regions, in order for a recovery of the local cultures and values of traditional architecture. Specific insights regarding the territory of Belluno bring to the show "Val Belluna, Case nella Campagna", 1964, and to numerous publications on the subject . After the exhibition opening, Dino Buzzati wrote an article in the Corriere della Sera entitled: "The architect who has seen."

Partner and adviser to Italia Nostra, he is deeply devoted to defend the historical heritage with lectures and debates in various Italian cities.

In 1967 he founds and directs the Center for Studies and Documentation of Armenian Culture. The Center published the "Documenti di architettura Armena" (Documents of Armenian architecture) and "Ricerca sull' architettura Armena" (Research on Armenian architecture) series. He was the organizer of the exhibition of Medieval Armenian Architecture which visited several Italian cities and more than eighteen countries from South America to Iran and Armenia.

From 1967 to 1983 is responsible and member of study missions, under the official patronage of the Ministry of Foreign Affairs of Italy, in Armenian territory, Georgia, Iran, Northern Syria.

He received several international awards (international prize "Parekorzagan" for Armenian scholars who have made a fundamental contribution in the field of Armenian art, award "Thoros Thoromanian" of the Academy of Sciences of Armenia for Armenian art scholars, medaglia Reza Pahalevi for the study work carried out in Iran).

He was scientific advisor for the architecture sector of the series of studies on "Popular Cultura Popolare Veneta" (promoted by the Veneto Region and the Fondazione Giorgio Cini) and co-director of the Historical Archive of Belluno, Feltre and Cadore.

At the professional level he operated especially in the Veneto Region and in Milan, devoting particularly to restoration works.

Adriano Alpago-Novello (Belluno, 20 luglio 1932 – Belluno, 4 giugno 2005) è stato un architetto italiano.

Adriano Alpago-Novello nasce a Belluno da Alberto Alpago Novello, architetto e urbanista, e Laura Carlotti.

Dopo studi classici all'istituto Leone XIII di MIlano, nel 1957 si laurea in architettura presso il Politecnico di Milano, dove dal 1958 diventa assistente alla cattedra di Storia dell’Arte e Storia e Stili dell’architettura. Nello stesso anno è incaricato dell’organizzazione del cantiere e dei rilievi dello scavo del teatro romano di Cesarea marittima in Israele: la constatazione dello scarso interesse o conoscenza della cultura identificabile come “bizantina” lo spinge a programmare una serie sistematica di visite conoscitive e di campagne fotografiche sulla presenza delle chiese “bizantine” del Mediterraneo centro-orientale. Ne risulta una serie di studi che lo portano al conseguimento della libera docenza e all’incarico universitario. Dal 1963 è assistente ordinario presso il Politecnico di Milano alla cattedra di Storia dell’Arte e Storia e Stili dell’architettura, di cui nel 1971 diventa libero docente; nello stesso anno è professore incaricato di Storia dell’Architettura alla Facoltà di Architettura di Torino. Dal 1975 è professore associato alla Facoltà di Architettura di Milan, dal 1987 titolare della cattedra di Storia dell’arte musulmana all’università Ca’ Foscari di Venezia.

Partecipa come relatore a numerosi Congressi nazionali ed internazionali sull’architettura e studi bizantini ed è invitato a tenere lezioni in numerosi atenei italiani e stranieri.

Si dedica con speciale attenzione allo studio, sotto l’aspetto storico-architettonico, di aree culturali d’Italia non ancora conosciute, con un particolare interesse per le zone di montagna e rurali, al fine di un recupero dei valori delle culture locali e dell’architettura tradizionale. Approfondimenti specifici interessano il territorio bellunese e portano alla mostra “Val Belluna, Case nella Campagna”, 1964, e a numerose pubblicazioni sul tema. In occasione della mostra, Dino Buzzati scrive un articolo sul Corriere della Sera intitolato: "L'architetto che ha visto".

Socio e consigliere di Italia Nostra, svolge e opera in difesa del patrimonio storico con conferenze, dibattiti, lezioni in varie città italiane.

Nel 1967 fonda e dirige il Centro Studi e Documentazione della Cultura Armena. Il Centro pubblica la collana "Documenti di Architettura Armena" e "Ricerca sull'Architettura Armena". Organizza la mostra sull'Architettura Medievale Armena, ospitata in diverse città italiane e, all'estero, in oltre diciotto Paesi, dal Sud America all'Iran all'Armenia.

Dal 1967 al 1983 è responsabile e membro di Missioni di studio, sotto il patrocinio ufficiale del Ministero degli Affari Esteri d’Italia, in territorio armeno, georgiano, in Iran, in Siria del Nord.

Ha conseguito diversi premi internazionali (premio internazionale “Parekorzagan” per studiosi non armeni che abbiano dato un contributo fondamentale nel campo dell’arte armena, premio “Thoros Thoromanian” dell’Accademia delle Scienze di Armenia per studiosi dell’arte armena, medaglia Reza Pahalevi per il lavoro di studio svolto in Iran).

è stato consulente scientifico per il settore architettura della collana di studi sulla “Cultura popolare veneta” (promossa dalla Regione Veneto e dalla Fondazione Giorgio Cini) e condirettore dell’Archivio Storico di Belluno, Feltre e Cadore.

A livello professionale ha operato specialmente nel Veneto e a Milano, curando in particolare interventi di restauro.

Tags: armenia, armenian, armenians, arminia, arminian, armyani, armeniya, armyanin, l'Arménie, l'arménien, les Arméniens, Armenien, Hay, Haykakan, Hayastan, Hayastani, Hayots, Patmutyun, Badmutyun, Yeghern, Eghern, Genocide, 1915, Massacre, Kars, Marash, Zeitun, Erzerum, Mush, Van, Musa-Ler, Musa-Dagh, Mousa-Ler, Mousa, Musaler, Turkey, Turkish, Turks, Ottoman

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